{"id":75266,"date":"2020-06-29T00:00:00","date_gmt":"2020-06-28T22:00:00","guid":{"rendered":"https:\/\/dhgshop.it\/tulle-perfect-for-nuno-felting-tutorial-by-francesca-perinetti\/"},"modified":"2026-05-13T13:39:27","modified_gmt":"2026-05-13T11:39:27","slug":"tulle-perfect-for-nuno-felting-tutorial-by-francesca-perinetti","status":"publish","type":"post","link":"https:\/\/dhgshop.performize.io\/en\/tulle-perfect-for-nuno-felting-tutorial-by-francesca-perinetti\/","title":{"rendered":"Tulle perfect for nuno felting – tutorial by Francesca Perinetti"},"content":{"rendered":"

Can <\/span>tulle<\/span><\/strong> be used with\nthe <\/span>nuno felting technique<\/span><\/strong>? The answer is yes, of course! Confirming\nthat and trying it out with our extra fine merino wool is <\/span>Francesca\nPerinetti.<\/span><\/strong><\/p>

\n<\/span>\n<\/span>\n\n<\/span>\n<\/span>\n<\/span><\/p>

The nuno felting technique\nallows you to create combinations between really distinctive fabrics and fibres\nand get amazing results. The first thing that needs to be done when you delve\ninto the world of nuno felting is to choose the materials you\u2019re going to use\ncarefully and secondly, it\u2019s advisable to make samples. These will help you to\nwork out how the chosen fabric and the fibres are able to blend together and\ntherefore also how they will felt; it\u2019ll also help you understand how much the\nfelting will affect the shrink factor.<\/span><\/p>

Francesca Perinetti explains the nuno felt technique step by step in the tutorial<\/h2>

\n\n\n\n\n\n<\/p>

MATERIALS<\/b><\/span>
Silk tulle<\/span><\/strong><\/a> 120 cm x 140 cm<\/span>
Extra fine merino wool tops<\/span><\/strong><\/a> Col. natural white about 10 g
<\/span>Bubble wrap<\/span><\/strong><\/a>
<\/b>2 pieces of bubble wrap bigger than the sample that we want to make about 80cm x 80cm
<\/span>Scissors
<\/span>Felting water sprinkler<\/span><\/strong><\/a>
Felting roller<\/span><\/strong><\/a> and elastic bands
<\/span>Mild soap
<\/span>A bowl
<\/span>Towels<\/span><\/p>

Before I start taking you\nthrough the steps on how to create a perfect nuno felt in tulle and extra fine\nmerino wool, I\u2019d like to tell you briefly what we\u2019re going to do. The fabric is\nmade up of two layers, one is decorative and the other purely structural. The\ndecorative layer is the tulle fabric whereas the second one is the layer of\nextra fine merino wool, which will be the back of the final fabric. It\u2019s really\nimportant to lay out the wool in small quantities like a \u201cglue\u201d but only where\nit\u2019s absolutely necessary, leaving some areas free. In this way we can check\nhow the tulle has been arranged better without overdoing it where it\u2019s not\nneeded.<\/span><\/p>

After this brief introduction,\nwe\u2019ll explain felting with the nuno felt technique in detail.<\/span><\/p>

After preparing the work area,\narrange the silk tulle on a base of bubble wrap with the bubbles facing up and\nbegin working it by creating the first spiral\/rose (fig. 1). You can start from\none of the corners, like I did, or from the centre by gathering the fabric and\nturning it clockwise or anticlockwise as you please.<\/span><\/p>

fig. 1<\/span><\/figcaption><\/figure>

METHOD
<\/b><\/span>Now create the second one\n(fig. 2), positioning it quite near to the first one without overlapping them.\nYou\u2019ll get quite deep creases between the spirals.<\/span><\/p>

fig. 2<\/span><\/figcaption><\/figure>

Go on like this until you\u2019ve\nused all of the piece of tulle that is left (fig. 3-7), resulting in a piece of\nabout 45cm x 45cm. You can arrange it how you prefer with less or more spirals,\nnearer or further apart, scrunching it up and working the fabric as you please.<\/span><\/p>

fig. 3<\/span><\/figcaption><\/figure>
fig. 4<\/span><\/figcaption><\/figure>
fig. 5<\/span><\/figcaption><\/figure>
fig. 6<\/span><\/figcaption><\/figure>
fig. 7<\/span><\/figcaption><\/figure>

Now lay the wool out. Lay out\nthe merino wool fibres but only around the spirals and on the creases that have\nformed between the spirals. This allows the spirals to remain transparent as\nopposed to the rest of the pattern which will be covered with wool, which will\nkeep the shape thanks to the wool attaching to the rest of the tulle during felting.\nThis will act as an outline preventing them from opening.<\/span><\/p>

Then lay a single thin and\neven layer of wool around the spirals, spreading out small tufts placed at 45-degree\nangles and at right angles to each other (fig. 8-11). Pay attention to the\nedges of the piece and remember to close even the outermost ones depending on\nhow much of an uneven effect you want.<\/span><\/p>

fig. 8<\/span><\/figcaption><\/figure>
fig. 9<\/span><\/figcaption><\/figure>
<\/div>
fig. 10<\/span><\/figcaption><\/figure>
fig. 11<\/span><\/figcaption><\/figure>

Once this phase has finished, the felting can begin. Wet your work with lukewarm water and soap (fig. 12) using a felting water sprinkler and cover the project with the other piece of bubble wrap with the bubbles facing up. Wet the surface slightly to make it easier to glide your hands over it (fig. 13) and start massaging it lightly so that the fibres absorb the water well, whilst trying to move the fabric as little as possible.<\/span><\/p>

fig. 12<\/span><\/figcaption><\/figure>
fig. 13<\/span><\/figcaption><\/figure>

Wrap all of it around a tube and start the \u201crolling\u201d process, first gently then harder so the wool penetrates the tulle. After a while unroll it and check it and if necessary, rearrange the fabric. Change direction and continue rolling. Repeat this procedure until the wool fibres can\u2019t move around inside the tulle giving it a sort of solidity. You can check with your fingers that there\u2019s no movement between the layer of wool and the tulle one (fig. 14), this means that the wool fibres have passed inside the tulle, clung to it and they have absorbed it. At this point the sample will have been subjected to just some of the final shrinkage (fig. 15-16).<\/span><\/p>

fig. 14<\/span><\/figcaption><\/figure>
fig. 15<\/span><\/figcaption><\/figure>
fig. 16<\/span><\/figcaption><\/figure>

You can now move on to the\nbeating phase to make the fibres more compact, working and beating the fabric\non the tabletop (fig. 17). You\u2019ll see both sides starting to shrivel up caused\nby additional shrinkage (fig. 18-20).<\/span><\/p>

fig. 17<\/span><\/figcaption><\/figure>
fig. 18<\/span><\/figcaption><\/figure>
fig. 19<\/span><\/figcaption><\/figure>
fig. 20<\/span><\/figcaption><\/figure>

Lastly, rinse it and let it\ndry. The final sample size will be about 30cm x 30cm with a shrinkage factor of\nabout 35%.<\/span><\/p>

Comparing its texture now, at\nthe end of the felting process (fig. 21), to when we started you can see that overall,\nit\u2019s quite flat compared to how we expected it to be. Most of the creases that\nyou created are stuck together and incorporated into the wool and you can\u2019t\nreally see the transparent areas. This is because tulle has a very wide weft and\nthe wool moves around the layers easily. By experimenting with more solid fabrics\nyou will notice that the creases are more outlined and come away from the base\neasier.<\/span><\/p>

fig. 21<\/span><\/figcaption><\/figure>

So, we need to get back the\nthree-dimensionality and lightness of the texture and lift up the creases one\nby one, gently detaching them from the surface (fig. 22). I suggest doing it when\nthe fabric is dry or a bit damp, if the creases are really deep, like these are,\nit\u2019s easier to identify them, and to start from the edges or from the outline of\nthe empty spaces where they are more visible (fig. 23).<\/span><\/p>

fig. 22<\/span><\/figcaption><\/figure>
fig. 23<\/span><\/figcaption><\/figure>

Proceed by lifting up the more\nnoticeable ones and then those more hidden until you\u2019re happy with the outcome (fig.\n24).<\/span><\/p>

fig. 24<\/span><\/figcaption><\/figure>

This last step is probably the\nmost enjoyable one as it allows you to bring your work to life. You can decide\nif and how much you want to bring out the texture.<\/span><\/p>

Keep in mind that as you lift\nup the creases the compactness of your fabric gradually reduces (especially\nwhen you get to the ones near the base), so try and find the right balance\nbetween compactness and lightness depending on what you want to create. To get\na really full texture (with waves, relief, layers or frills) my advice is to\nincrease the quantity of fabric so that the creases, especially the ones on the\nsurface, come away easier. Remember that really thin fabrics (in particular\ntulle and gauze) have a lower yield, in terms of chunkiness, than thicker ones\nwith the same quantity. During the felting process they tend to absorb into the\nwool and the other materials, reducing the three-dimensional effect compared to\nthe texture you initially set out to make.<\/span><\/span><\/p>

\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span>\n\n<\/span><\/p>

If you\u2019d like to learn even more about nuno felting, we recommend <\/span>reading Gaia Girard\u2019s tips too<\/span><\/strong><\/a>.<\/span><\/p>



","protected":false},"excerpt":{"rendered":"

Can tulle be used with
\nthe nuno felting technique? The answer is yes, of course! Confirming
\nthat and trying it out with our extra fine merino wool is Francesca
\nPerinetti.
\n
\n
\n
\n
\n
\nThe nuno felting technique
\nallows you to create combinations bet…<\/p>\n","protected":false},"author":49,"featured_media":28884,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8919,8925],"tags":[],"class_list":["post-75266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-felt","category-nuno-felting"],"acf":[],"yoast_head":"\nTulle perfect for nuno felting - tutorial by Francesca Perinetti - DHG Shop<\/title>\n<meta name=\"description\" content=\"Can tulle be used with the nuno felting technique? The answer is yes, of course! 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